Thursday, September 14

Quitting the Paint Factory by Mark Slouka (Part 2)

INFINITE BUSTLE

I’m a student of the narrowing margins. And their victim, to some extent, though my capacity for sloth, my belief in it, may yet save me, like some stubborn heretic in fifth-century Rome, still offering gifts to the spirit of the fields even as the priests sniff about the temple for sin, I daily sacrifice my bit of time. The pagan gods may yet return. Constantine and Theodosius may die. But the prospects are bad.

In Riverside Park in New York City, where I walk these days, the legions of “weekend nannies” are growing, setting up a play date for a ten-year-old requires a feat of near-Olympic coordination, and the few, vestigial, late-afternoon parents one sees, dragging their wailing progeny by the hand or frantically kicking a soccer ball in the fading light, have a gleam in their eyes I find frightening. No outstretched legs crossed at the ankles, no arms draped over the back of the bench. No lovers. No be-hatted old men, arguing. Between the slide and the sandbox, a very fit young man in his early thirties is talking on his cell phone while a two-year-old with a trail of snot running from his nose tugs on the seam of his corduroy pants. “There’s no way I can pick it up. Because we’re still at the park. Because we just got here, that’s why.”

It’s been one hundred and forty years since Thoreau, who itched a full century before everyone else began to scratch, complained that the world was increasingly just “a place of business. What an infinite bustle!” he groused. “I am awaked almost every night by the panting of the locomotive. It interrupts my dreams. There is no Sabbath. It would be glorious to see mankind at leisure for once. It is nothing but work, work, work.” Little did he know. Today the roads of commerce, paved and smoothed, reach into every nook and cranny of the republic; there is no place apart, no place where we would be shut of the drone of that damnable traffic. Today we, quite literally, live to work. And it hardly matters what kind of work we do; the process justifies the ends. Indeed, at times it seems there is hardly an occupation, however useless or humiliating or downright despicable, that cannot at least in part be redeemed by our obsessive dedication to it: “Yes, Ted sold shoulder-held Stingers to folks with no surname, but he worked so hard!”

Not long ago, at the kind of dinner party I rarely attend, I made the mistake of admitting that I not only liked to sleep but liked to get at least eight hours a night whenever possible, and that nine would be better still. The reaction – a complex Pinot Noir of nervous laughter displaced by expressions of disbelief and condescension – suggested that my transgression had been, on some level, a political one. I was reminded of the time I’d confessed to Roger Angell that I did not much care for baseball.

My comment was immediately rebutted by testimonials to sleeplessness: two of the nine guests confessed to being insomniacs; a member of the Academy of Arts and Letters claimed indignantly that she couldn’t remember when she had ever gotten eight hours of sleep; two other guests declared themselves grateful for five or six. It mattered little that I’d arranged my life differently, and accepted the sacrifices that arrangement entailed. Eight hours! There was something willful about it. Arrogant, even. Suitably chastened, I held my tongue, and escaped alone to tell Thee.

Increasingly, it seems to me, our world is dividing into two kinds of things: those that aid work, or at least represent a path to it, and those that don’t. Things in the first category are good and noble; things in the second aren’t. Thus, for example, education is good (as long as we don’t have to listen to any of that “end in itself” nonsense) because it will presumably lead to work. Thus playing the piano or swimming the 100-yard backstroke are good things for a fifteen-year-old to do not because they might give her some pleasure but because rumor has it that Princeton is interested in students who can play Chopin or swim quickly on their backs (and a degree from Princeton, as any fool knows, can be readily converted to work).

Point the beam anywhere, and there’s the God of Work, busily trampling out the vintage. Blizzards are bemoaned because they keep us from getting to work. Hobbies are seen as either ridiculous or self-indulgent because they interfere with work. Longer school days are all the rage (even as our children grow demonstrably stupider), not because they make educational or psychological or any other kind of sense but because keeping kids in school longer makes it easier for us to work. Meanwhile, the time grows short, the margin narrows; the white spaces on our calendars have been inked in for months. We’re angry about this, upset about that, but who has the time to do anything anymore? There are those reports to report on, memos to remember, emails to deflect or delete. They bury us like snow.

The alarm rings and we’re off, running so hard that by the time we stop we’re too tired to do much of anything except nod in front of the TV, which, like virtually all the other voices in our culture, endorses our exhaustion, fetishizes and romanticizes it and, by daily adding its little trowelful of lies and omissions, helps cement the conviction that not only is this how our three score and ten must be spent but that the transaction is both noble and necessary.

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